The culprit was a new technology, the television, which lessened the need to go out to the movies. The popcorn industry sags in the 50s as Americans begin to watch more and more television and go less and less to movie theaters, Smith says. Popcorn wasnt widely eaten in homes, mostly due to how difficult it was to make: consumers needed a popper, oil, butter, salt and other ingredients to replicate their favorite movie theater snack at home. To ease this burden, one commercial product, EZ Pop, marketed itself as an all inclusive popcorn makersimply move the container over a heat source, and the popcorn pops, completely flavored. After EZ Pop came Jiffy Pop , a famous at-home popcorn product that used the same all-in-one philosophy. By making popcorn an easy-to-make snack, commercial popcorn products were able to gain a foothold in the home. In the 1970s, microwave ovens become increasingly common in homes, creating another boom for popcorn: now, families can enjoy popcorn in minutes simply by pressing a button. As popcorn re-entered the home, traditional associations of popcorn and movies, or popcorn and entertainment, persisted. Nordmende, a German electronics company, even used popcorn to advertise its microwave, purporting it to be a sponsor of the midweek movie . Nowadays, the popcorn industry attaches itself to our home movie nights in a very direct way, through commercials that directly engage with popular films or movie theater styles of microwave popcorn that market themselves as a direct replica of the beloved theater snack. But the relationship between popcorn and the movies has changed more than the smell of a theater lobby or the at-home movie night: its changed the popcorn industry itself. Before the Great Depression, most popcorn sold was a white corn varietyyellow corn wasnt widely commercially grown, and cost twice as much as the white variety. Movie vendors, however, preferred yellow corn , which expanded more when it popped (creating more volume for less product) and had a yellowish tint that belied a coating of butter. People became accustomed to the yellow popcorn and would refuse to buy the white variety at markets, requesting the kind that looked like the popcorn at the movies . Today, white popcorn accounts for 10 percent of commercially grown popcorn; yellow popcorn takes up almost the rest of the commercial market (with some color varieties, like blue and black, grown in negligible amounts). Popcorn is just as economically important to the modern movie theater as it was to movie theaters of old. Patrons often complain about the high prices of movie concessions, but theres an economic basis for this: popcorn, cheap to make and easy to mark-up, is the primary profit maker for movie theaters.
13 Cheesy Horror Movies to Scare You With Laughter
Video: YouTube, Veovisjohn 5. The Gingerdead Man This is what happens when you bake the spirit of Gary Busey into a holiday treat. It’s also why we can’t have nice things. The 2005 movie is so bad, we couldn’t possibly pick one scene. Video: YouTube, GrackleBoxStudios 6. Nightmare on Elm Street We all have to start somewhere in our careers, and for Johnny Depp, it was in 1984, when he lost a battle with a bed. The old and clunky technology just makes this scene better/worse. Video: YouTube, TzTokFlame 7. Attack of the Killer Tomatoes The special effects in 1978 were just incredible. We’re at a loss for words over the giant, evil tomato in this film. Video: YouTube, lemonysnicket1234567 8. Santa’s Slay Skip to 1:50 if you don’t find enjoyment in obnoxiously rich people talking about their “humble” Christmas. Video: YouTube, itburnswhenithink 9. The Spookies This 1986 film features a group of travelers who (surprise) took a wrong turn. One of the more unlucky guests falls into a sticky situation with all kinds of “WTF?” going on.
on USATODAY.com: http://usat.ly/19YNe7U Incorrect please try again A link has been posted to your Facebook feed. Sent! A link has been sent to your friend’s email address. Join the Nation’s Conversation To find out more about Facebook commenting please read the Conversation Guidelines and FAQs Wanna introduce a film on Turner Classic Movies? Whitney Matheson, USA TODAY 1:16 p.m. EDT October 2, 2013 A new contest will let a Turner Classic Movies fan co-host a film with Robert Osborne. (Photo: TCM) SHARE 29 CONNECT 13 TWEET COMMENTEMAILMORE If I watch a classic film on Turner Classic Movies, I make sure to catch Robert Osborne’s insightful introductions and postscripts. More often than not, he tells me something I didn’t know, and that even goes for movies I’ve seen dozens of times (like, say, The Graduate). This month, TCM is holding a contest that will let one lucky fan co-host a movie with Osborne. Over at the site for its ” Ultimate Fan Contest ,” you can submit a 90-second video of yourself introducing a classic film. Along with being featured on the air, the grand-prize winner will win a trip to the 2014 TCM Classic Film Festival in Hollywood, where he/she also will introduce a film. The contest just kicked off, so few submissions have been posted on the site.
Prima Cinema Brings First-Run Movies To Your Home
to trust that quality filmmaking can perform just like something with brand recognition, and in the case of “Gravity,” be more memorable for it. It Doesn’t Take $250 Million Part of the trade-off of funding a movie based on an original concept from an acclaimed director with largely untested box-office drawing power is that the budget doesn’t balloon as high as it does for something like “The Lone Ranger.” “Gravity” cost $100 million to make, and the money was spent in the right places. Cuaron cast two of today’s biggest stars and essentially everything else went into state-of-the-art technology. And all the effects were essential to the story and innovative enough to make audiences feel like hadn’t seen anything like it before. It Doesn’t Take Two And A Half Hours Here is probably the easiest lesson for other studio films to learn from. A movie can seem even more impressive if it tells a compelling story within the span of 90 minutes. The non-stop tension of “Gravity” combined with its tight running time affected the overall experience of watching the film because the immediacy of the danger wouldn’t have felt as real if you were checking your watch at the two-hour mark, trying to figure out when this thing would end. Making a film that is as big as “Gravity” in only 90 minutes shows that Cuaron wanted this story which in essence is pretty simple to be stripped down only to the essential elements. People Will Come… Marketing departments for film studios have been programmed to believe certain things about their intended targets. Often TV ads are edited in a way to make the film appear to be something it’s not.
Wanna introduce a film on Turner Classic Movies?
The player connects to your display via HDMI. Movies are automatically downloaded, but you only pay for the movies you watch. Prima claims better than Blu-ray quality and twice the sharpness of Blu-ray which is a bit of a stretch, seeing as the resolution is 1080p/24 (same as Blu-ray). The encoded bit rate is twice that of Blu-ray (less compression ) and there are more bits per color . So presuming your equipment can handle the latter, it should be a little better than BD. That said,even if it looks the same as Blu-ray, thats still excellent. Currently, Universal Pictures, Focus Features, Magnolia Pictures Millennium and Cinedigm offer movies on Prima. If other services are any indication (like Netflix Netflix , iTunes, Google Google Play and etc.), expect to see more studios sign on if Prima does well. Cost(s) If youre expecting the Prima Cinema to be expensive, youd be right. Just the hardware is $35,000. Each movie is $500, and you only get to watch it once. You have to be vetted by the company (you cant just buy one). The fingerprint scanner makes sure its you watching the movie (or are at least in the room when it starts). There are even more draconian security features than the use of your digit. Its essentially locked to your home and specific display.